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The Sad Young Men中英文版

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The Sad Young Men中英文版

The Sad Young Men is a novel by American author F。Scott Fitzgerald。first published in 1926.The novel is set in New York City during the 1920s and follows a group of young men who are XXX to find their place in the world.

The main character of the novel is Gordon Sterrett。a young man who is struggling to find his identity in a world that seems to have lost XXX his desire for success and XXX.

One of the most striking aspects of the novel is its portrayal of the lost n of young people who came of age during the First World War。These young men are ned with the world and struggle to find meaning in their lives。They are haunted by the memory of the war and the loss of innocence it represented.

XXX。as Gordon falls in love with a XXX.

Despite its bleak XXX。XXX。and his XXX.

The Revolt of the Younger n in the 1920s has been XXX middle-aged individuals and XXX from the young are common when discussing this d。Middle-aged individuals XXX。denouncing Puritan morality。XXX individuals ask about the wild parties。the \"sheik\" with a flask。and the n and moral choices of the \"flapper\" and \"drug-store cowboy.\" Present-day students ask their parents and teachers if young people were really that wild during this time and if there was a Younger n problem。The answer to these ns is both \"yes\" and \"no.\" Growing up always comes with a Younger n problem。but what was considered wild and immoral at the time is less XXX.

Actually。the n of the young n was a natural XXX of the time。It is important to note that this n was not limited to the United States。but rather affected the entire Western world as a result of the aftermath of the first major war in a century.

Furthermore。in the United States。XXX come to the n - either usly or usly - that our country was no XXX。

In essence。the n of the young people was a response to the changing times and the XXX。It was a n of the old ways and a call for a new way of thinking and living。This n was not just a passing fad。XXX cultural and social shift that would shape the future of our society for years to come.

XXX at that time。The rapid growth of American industry。with its large and noisy factories。corporate impersonality。and aggressive competitiveness。left no room for the polite r and well-XXX passed。it XXX in which they were expected to succeed.

XXX young people into a pattern of mass murder。releasing their XXX。After the war。these XXX-century XXX.

In a rapidly changing world。XXX values to keep up with the times。However。XXX。they were also XXX escapism was made possible by the general prosperity and post-war fatigue with politics。economic ns。and XXX fleeting pleasures。experimented with drugs。alcohol。and ns。XXX escapism lasted until the crash of the world economic structure at the end of the decade。XXX up and face the problems of the new age.

XXX among young people began during World War I。The XXX 1915-1916.Germany's increasing disrespect towards the United States。and the XXX to declare our status as a XXX。young XXX under foreign flags。As Joe Williams said in John Dos Passos' U.S.A。they wanted to join the fun before the war ended。In 1916-1917.military service was still XXX。the young men of college age in 1917 knew nothing of modern warfare。The Civil War had e a magnolia-XXX。while the brief war with Spain in 18 had been ced to a one-XXX up San Juan Hill。Despite this。high school assembly orators continued to proclaim the character-building power of the strenuous life。XXX that service in the European conflict would be both XXX。As a result。they began to join us armies in increasing numbers。with some joining the ambulance corps and others the infantry。merchant marine。or XXX else they could find a place。Those who were XXX the nal Guard。but rushed to enlist when the U.S。finally XXX to go home and wait for the draft。However。since no self-XXX disgrace of being drafted。XXX.

Once XXX-century warfare。XXX distinguished performance。the soldiers who returned from the battlefields in

1919 XXX。This was especially true for the college contingent。who had enlisted early due to their idealism and had seen

considerable n。It was bitter for them to return to their hometown。which had been XXX。and hear citizens still XXX-of-XXX of just a few years earlier.

It was even more bitter for them to find that their old jobs had been taken by stay-at-homes。and that business was XXX。veterans were considered less desirable than non-XXX。as they had outgrown their town and families and developed a sudden。bewildering world-XXX.

Now。XXX Prairies all over the country。they were being asked to curb those energies and resume the pose of self-XXX had \"made the world safe for democracy.\" As if home town ns were not enough。XXX also had to face the sodden。Napoleonic cynicism of Versailles。the hypocritical do-goodism of n。and the smug tism of the war profiteers.

XXX had to give in the n-ridden youth of America。and after a short d of bitter resentment。it gave in the form of a XXX.

XXX for aspiring artists and writers。Since the 1970s。it has been a hub for those seeking a low-cost living XXX。the village has also been home to many major writers。particularly in the decade leading up to World War I。This has XXX.

After the war。young XXX Village。eager to express their XXX against the old world。They were fueled by their hatred of war。materialism。and \"Puritanical\" values。Living costs were still relatively low in 1919.making it an attractive n for those seeking to pour their all into art。love。and XXX.

Soon。XXX the country。and it was Greenwich Village that led the way。\"Bohemian\" living became a fad。with each town having its own group of \"fast\" XXX。this us n was rapidly ing a standard feature of the country club class and its less affluent XXX.

XXX it)。movies and magazines (which made it XXX it)。and advertising (which indirectly encouraged it XXX).

Younger siblings of the war n。who had played with marbles and dolls during the battles of Belleau Wood and Chateau-Thierry and had experienced no real nment or sense of loss。began to XXX first。XXX。By the middle of the decade。the \"wild party\" had e as commonplace in American life as the flapper。the Model T。or the XXX.

Meanwhile。the true XXX sensitive America。one that was less focused on material XXX。their ideas were ignored。and their XXX As a result。XXX upon their return from the war。They XXX。

An important book called \"n in the United States,\" XXX\" under the editorship of J。Harold Stearns。XXX。The book argued that the best minds in the country were being ignored。art was unappreciated。and big business had corrupted everything。Journalism was only a tool for making money。politics were corrupt。and American family life was joyless。patterned。hypocritical。and XXX。

According to the book。these XXX to show the way to better things。However。since the country was blind and deaf to everything but money。XXX \"n in the United States\" was published in 1921.most of its contributors had already emigrated。and many more artistic and XXX.

In their defiant and short-XXX。XXX as the \"lost n\"。as Gertrude XXX put it。Although not a XXX itself。the attitude of the \"lost n\" served as a common denominator of the writing of the times.

The war and the cynical power politics of Versailles had convinced these young men and women that XXX Andrews。XXX' \"Three Soldiers\"。and as XXX \"The Sun Also Rises\".

Besides Stein。Dos Passos。and Hemingway。there were many other novelists。dramatists。poets。and critics who tried to find their souls in the Antibes and on the Left Bank。who directed sad and bitter blasts at their native land。Almost to a man。they drifted back within a few years out of sheer homesickness。to take up XXX farmhouses。XXX。XXX.

Some of the writers who belonged to the \"lost n\" included Lewis Mumford。Ezra Pound。Sherwood Anderson。Matthew Josephson。d。Harold Stearns。T.S。t。E.E。Cummings。and Malcolm Cowley.

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